![]() Lin examines the natural world through the lenses of 21 st-century science and technology. 2×4 Landscape is an immense, 2,400-square-foot mound that rises to a height of 10 feet and can be interpreted as a hill or wave. Flow represents a succession of waves that progressively rise and dissipate over a span of 35 feet. The flat, rectangular ends have the appearance of pixel-like data points that collectively become monumental physical forms. Flow and 2×4 Landscape are each made with thousands of two-by-four boards assembled with their cut ends up. The lines, made with thin aluminum elements suspended in the gallery, depict the contours of immense mountains that rise from the ocean floor in the remote South Atlantic. Water Line is an immersive three-dimensional drawing that visitors can enter and explore. Three works in this exhibition, Water Line, Flow and 2×4 Landscape, are room-sized sculptural installations that create dramatic physical and psychological encounters for the viewer. If the level of this hormone buy cialis online goes low, it should be done very cautiously. This ingredient is a PDE find out for more info now generic levitra online 5 inhibitor, thus, it works to inhibit the PDE 5 enzymes (a cause of ED) and enhancing the cyclic GMP (erection providing enzyme). The main motive buy viagra in stores of these meds is improving male sexual performance or enhancing male power during intimate moments. It is the good approach prescription de viagra canada for overcoming erectile dysfunction. The open arrangement of the pins further suggests the river’s permeable banks that allow its overflow to nourish surrounding wetlands and support an abundance of Florida wildlife. The dense multitude of pins illustrates the river’s complex winding shape. Lin uses thousands of straight pins pushed directly into the gallery wall to map the river’s original meandering course through Central Florida to Lake Okeechobee. In the 1960s, the Kissimmee River was made into a straight channel with devastating environmental consequences. Pin River, Kissimmee, brings attention to a river currently undergoing a major restoration of its historic course. Similarly, her Bodies of Water series presents enormous lakes and inland seas as three dimensional objects, lifted out of the landscape and set on pedestals to allow viewers to examine them above and below the water’s surface. Her series of Silver Rivers and Pin Rivers present vast waterways on a gallery wall so they can be viewed as a comprehensive whole. By reducing the scale of a river system, isolating a sea from its surrounding topography or removing an ocean to view undersea terrain, Lin provides new ways to understand these entities. These pieces often reveal features of the natural world that individuals cannot easily see because of their geographic size or because they are concealed underwater. Maya Lin, 2 x 4 Landscape, 2006, SFI certified wood, 2 x 4s, 10’ x 53’ 4” x 35.’ Her work includes references to maps of Hurricane Sandy’s storm surge, networks of waterways that comprise the world’s great rivers, shrinking contours of endangered bodies of water, hidden undersea topography, permeable boundaries between land and water, and dynamic wave forms. This exhibition presents sculptures and drawings she has created since 2006 that address aspects of water ranging from its seductive visual appeal to its critical importance to natural and developed environments worldwide. Within the broad scope of these themes, water has been a particular focus of ideas expressed in Lin’s work. ![]() ![]() Landscape, global geography and the earth’s ecology are central concerns of her art. Her works of expressive beauty challenge viewers to see the world in new ways and reconsider their relationship to the environment. Maya Lin (born 1959, Athens, Ohio) graduated cum laude from Yale University, earning a Bachelor of Arts degree in 1981 and a Master of Architecture degree in 1986, and as a professional she has struck a careful balance between art and architectural design. Maya Lin, Water Line, 2006, aluminum tubing and paint, 19’ x 30’ x 34’ 9.” All images are courtesy of the artist and Pace Gallery, New York.
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